Zapantera Negra is a rare document from the US and Mexico that intertwines art, dialogues, and processes between artists and cultural spaces that open collaborative intersections of politics and creation far outside the confines of art as commerce and rigid politics. Blending striking images and personal stories of the Black Panther Party and the Zapatistas, the book spans revolutionary tendencies and histories rooted in collective liberation. With hope and determination, Zapantera Negra shows us the power that art has to seed flowers that push through concrete, dissolve static confines, and open liberatory possibilities for living unwritten futures.
—scott crow, author of Black Flags and Windmills: Hope, Anarchy and the Common Ground Collective and Emergency Hearts, Molotov Dreams

Zapantera Negra helps us understand the power of art, how it can be a process that restores dignity and revives radical consciousness, and the ways it can be utilized on the road to liberation and autonomy. Emory Douglas and other contributors boldly present the insurgent spirit of the Black Panther Party and the EZLN and the visual cultures that reflect people’s struggle for self-determination in the context of the hypercapitalism which impacts so many of our struggles. Open the book. Allow Zapantera Negra to ignite your imagination and inspire new dreams of liberated futures.
—Melanie Cervantes, graphic artist and cultural worker, cofounder of Dignidad Rebelde

With a generous spirit of dialogue and inquiry, Zapantera Negra sparkles! It usefully brings together Black Panther Party and Zapatista political-aesthetic sensibilities, and it opens up wonderful questions that blur the lines between art and activism. In a time of resurgent Indigenous and Black freedom struggles in North America, this book offers inspiration for building transformative movements with vitality and vision.
—Chris Dixon, activist and author of Another Politics: Talking Across Today’s Transformative Movements

Zapantera Negra provides a stunning display of why art is not just helpful but also utterly necessary to humanity’s efforts to achieve justice. This book provides a journey of heart and mind through the relationship of two critically important movements and, extending around it all, the depth and power of national liberation and internationalism. As I read Zapantera Negra, I felt fortunate to be able to witness these cultural creations and conversations, and to hold in my hands a history that goes beyond words and teaches truth through the alchemy of revolutionary art.
—Laura Whitehorn, former political prisoner and editor of The War Before: The True Life Story of Becoming a Black Panther, Keeping the Faith in Prison, and Fighting for Those Left Behind by the late Safiya Bukhari

Zapantera Negra is a book of encounters—between Zapatismo and the Black Panther Party, art and politics, revolution and everyday life, and the histories and horizons of radical social justice struggles. Léger and Tomas deftly curate this engaging and important work, exploring urgent and enduring questions relating to radical politics, the fabric of daily life, and art as a medium for social justice and social change. Orbiting around a series of provocative and lively dialogues, this book embodies the spirit and politics of encuentro.
—Alex Khasnabish, author of Zapatistas: Rebellion from the Grassroots to the Global and Zapatismo Beyond Borders: New Imaginations of Political Possibility

Zapantera Negra is an incredible endeavor, the depth of which is not often found in social practice: a direct and embodied connection between a key actor in a major social movement in US history (the Black Panthers) and the people of Chiapas, carrying the legacy and expressions of an equally revolutionary struggle in Mexico (the Zapatistas), some thirty years apart. The subtlety and complexity of this project, and its implications for a globally engaged arts-based activism is truly impressive.
—Suzanne Lacy, artist and author of Leaving Art and Mapping the Terrain: New Genre Public Art

In a place called EDELO (En Donde Era la ONU), ‘where the United Nations used to be’, somewhere in the Mexican southeast, Zapantera Negra kindled the Black Panther spirit from a caracol in a river that runs through history—a river that runs below ground for years, for entire centuries, and then rages to the surface or trickles up through the earth’s rhizomes and roots. This art is urgent and inventive, an art of uniting peoples, an art of struggle born out of a moment in time, years, even centuries in the making. Que viva la Zapantera Negra!
—Jeff Conant, author of A Poetics of Resistance: The Revolutionary Public Relations of the Zapatista Insurgency

This collaboration reflects the brilliant echoes of 500 years of resistance. From the Seminole swamps to the Southwest plains, Black and Brown hands reach together to build liberation dreams against the nightmares of racism, war, and colonialism. The depictions found in Zapantera Negra—the magic of Black church women and las mujeres campesinos; children wise beyond years and adults following their lead—show communities in struggle challenging Empire from below and to the left. By drawing out Black and Indigenous liberatory politics and the need for spaces to resist, conspire, and inspire, this is a more than a book—it is a call to home.
—Kazembe Balagoon, writer, cultural activist, and Project Manager at the Rosa Luxemburg Stiftung, New York