Forthcoming, ships December 2026

Josh MacPhee
Preface by Grégory Pierrot

Art & Culture / Capitalism / Labor / Social Movements

In this short, graphic volume, Josh MacPhee explores the role of music and sound in the student and worker revolt on May 1968 in France through the lens of the vinyl records that emerged out of—and were produced to comment on—the struggle. From the chanson enrages that sung on the barricades, the birth of an independent and politicized music infrastructure in France, the explosive emergence of free jazz and rock scenes, and the enduring legacy and embedding of the sounds and aesthetics of '68 into experimental and pop music to this day, this book shows the impact of liberatory politics and action on our audio landscape.

Josh MacPhee

Art & Culture / Partner Publisher

In 1962, Penguin Books carried out an unprecedented experiment in Anglophone paperback book cover design. Deploying a new design grid created by Romek Marber, they released a flood of crime and mystery novels wrapped in simple, efficient, green and black covers. An unheralded peak of late-Modernist design, many of these covers still stand out today as some of the most interesting and compelling ever created for Penguin—or any press!

This publication, in which Josh MacPhee tells the history of this design experiment, includes nearly 70 cover reproductions as well as a bibliography and bios of key designers. In addition, it features a 2-sided poster with a giant grids of 128 book covers.

The content draws on earlier research MacPhee had done on the Penguin Crime series for his Judging Books By Their Covers blog post series on Justseeds.

Josh MacPhee

Art & Culture / Social Movements / Partner Publisher

Apartheid? Hell No! is a zine collecting over 100 anti-apartheid graphics from South Africa and the anti-apartheid solidarity movement in the 1980s, and it really feels like there is really no better time to recirculate this treasure box of potent graphics.

I originally found much of this content in an large photocopied document I unearthed from the library of the University of Colorado back in the late 1990s. While I photographed a lot of the imagery, the larger frame for it has been lost to time—I have no documentation of who originally assembled the content, although I suspect it was a grad student project from the late 1980s.

I've collaged the material in a similar manner to my Free Leonard Peltier zine (Pound the Pavement #22) from years back, but have also attributed the content whenever possible.

Josh MacPhee

Abolition / Art & Culture / Partner Publisher

Part history lesson, part organizing tool, part sticker set, this publication traces the ark of reproducible political graphics over the past 100 years via a collection of 15 examples. Each of these—from the Russian Revolution's "Red Wedge Beats The Whites" to an 1980s squatting flyer featuring Bart Simpson—have been re-imagined as graphics mobilized to shut Rikers Island Jail Complex.